Reviews
Sieglinde | Die Walküre
“The Sieglinde of Lee Abrahmsen was both lustrous and powerful. Abrahmsen should consider Brünnhilde.” Opera Magazine | April 2023 |Michael Shmith
""As Sieglinde, Lee Abrahmsen is astounding." Bachtrack | March 2023| Sandra Bowdler
"Lee Abrahmsen was, once again, the fervent and passionate Sieglinde.The more Abrahmsen sang, the more I wished it was Brünnhilde she had been singing!" Seen and Heard International | March 2023 |Jim Pritchard
Isolde | Tristan und Isolde
"Abrahmsen was a revelation." The Age|Bridget Davies|Feb 2018
"A career-defining performance."Herald Sun|Paul Selar |Feb 2018
"Abrahmsen’s work as Isolde represents nothing less than a quantum leap in her status as a leading lady." Man in Chair|Simon Parris|Feb 2018
Eva | Die Meistersinger
"Lee Abrahmsen, as Eva, adds another substantial Wagner role to her already admirable repertoire. Her voice coped easily and effortlessly with the vocal range, and she brought in as much sunlight as streamed through the east window." Opera Magazine|Michael Shmith |Feb 2025
Marschallin | Der Rosenkavalier
"Abrahmsen is a majestic presence as the Marschallin…her soprano is powerful, with lush tone." Limelight Magazine|Patricia Maunder |Aug 2018
"With her richly coloured soprano, Lee Abrahmsen was a resplendent Marschallin. She perfectly captured both her regality and bittersweet vulnerability."
Brünnhilde | Siegfried
“Brünnhilde, Lee Abrahmsen, was, in appearance and voice, a Valkyrie to the hilt, projecting her rich and gleaming voice like a silver spear right to the back of the hall." Michael Shmith, Opera Magazine | Sep 2022
Senta |Der Fliegender Hollander
“Lee Abrahmsen, who just seems to get better and better, is thrilling. She produces a huge sound with no loss of sweetness, delicacy, or control, and she never sounds forced.” Australian Book Review | Barney Zwartz | Feb 4, 2019